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05-01 Ashtray

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05-02 Ashtray

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Ashtrays have been a recurring theme in the work of many great designers. Quentin Vuong places himself in the lineage of this exercise by choosing to explore forms inspired by medieval buildings from southern Spain. Ceramic, cold metallization, and plain beech wood are used without ornament. These materials create contrast and give the pieces a sense of weight. The tall ashtray is designed to match the height of an armchair. The smaller one is meant to sit on broader surfaces. Each piece has a strong, architectural presence. The richness of the materials and textures brings a clear sense of luxury.


Photography

Quentin Vuong

Date

2023 - Ongoing

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Tower

Ashtrays have been a recurring theme in the work of many great designers. Quentin Vuong places himself in the lineage of this exercise by choosing to explore forms inspired by medieval buildings from southern Spain. Ceramic, cold metallization, and plain beech wood are used without ornament. These materials create contrast and give the pieces a sense of weight. The tall ashtray is designed to match the height of an armchair. The smaller one is meant to sit on broader surfaces. Each piece has a strong, architectural presence. The richness of the materials and textures brings a clear sense of luxury.


Photography

Quentin Vuong

Date

2023 - Ongoing

Tower

04-01Ashtray

04-02Ashtray

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06-01 Nocturne Cabinet

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06-02 Detail 01

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06-03 Detail 02

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Next: Nocturne, 2022;
Picture of a night scene